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Wish Gaining Ground in World Wide Box Office After Falling Short in the US

Despite a lukewarm reception in the United States, “Wish” is gaining momentum on the global stage. This Disney animated musical follows the journey of Asha, a young woman whose wish upon a star takes an unexpected turn. Co-directed by Chris Buck and Fawn Veerasunthorn, the film features a star-studded voice cast including Ariana DeBose, Harvey Guillén, Chris Pine, Alan Tudyk, and Angelique Cabral.

Related – Bring Home Disney’s Wish Starting on January 23rd

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According to Collider, “Wish” continues to thrive at the worldwide box office, amassing $223.4 million, with a substantial $160.4 million from international markets like Spain, Australia, Brazil, the United Kingdom, and Japan. Despite its international success, the film struggled domestically, earning only $31 million during its Thanksgiving weekend release. While it has exhibited some staying power by doubling its domestic total, it still stands at just $63 million, significantly lower than its global performance.

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The film’s resilience in international markets is promising, especially as “Wish” prepares for its Video On Demand (VOD) release on January 23. This digital release could mark a potential streaming renaissance for the film, offering a second chance for audiences to connect with its enchanting narrative. Although the worldwide box office indicates momentum, “Wish” faces the challenge of turning a profit, given its reported budget of $200 million for an original animated musical.

Related – Learn to draw characters from Disney’s “Wish” at The Animation Experience at the Animal Kingdom

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While the financial outlook may appear challenging, there’s a glimmer of hope for “Wish.” The upcoming VOD release provides an opportunity for at-home viewership, potentially turning the tide for the film’s overall success. The journey of “Wish” may take an intriguing turn as it transitions from theaters to digital platforms, offering audiences a chance to discover its magic beyond the confines of traditional box office expectations.

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